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Über das Geschäft berichten
(2012)
»Türkei«
(1988)
»Jerusalem«
(1992)
»Istanbul«
(1995)
»Indien«
(1990)
»China«
(1989)
Wasserfarbe für Gestalter
(2011)
Wasser | Reflexionen
(2018)
Common boundaries between the physical reality and rising digital media technologies are fading. The age of hyper-reality becomes an age of hyper-aesthetics. Immersive media as well as image technologies – like virtual reality – enable a completely novel form of interaction and corporeal relation to and with the virtual image structures. Virtual Images contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of dynamic virtual images with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics, art history and techno-art as well as the complex range of image science. Shared goal is a critical discussion of the specific epistemology of aesthetic and scientific approaches to VR.
This volume discusses the relation of images and technological evolution in the context of virtual reality within the perspective of an autonomous image science.
Visuell Berichten
(2016)
Common boundaries between the physical reality and rising digital media technologies are fading. The age of hyper-reality becomes an age of hyper-aesthetics. Immersive media as well as image technologies – like virtual reality – enable a completely novel form of interaction and corporeal relation to and with the virtual image structures. Virtual Images contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of dynamic virtual images with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics, art history and techno-art as well as the complex range of image science. Shared goal is a critical discussion of the specific epistemology of aesthetic and scientific approaches to VR.
This volume discusses the relation of images and technological evolution in the context of virtual reality within the perspective of an autonomous image science.
Video im Stadtraum
(1990)
VERSTEHEN durch SEHEN
(2018)
Vater, Mutter, Kind A.B.C.
(2011)
Unser Fernsehen!
(1985)
Transparenz durch Gestaltung
(2013)
Thomas Wörgötter
(1993)
Thomas Virnich
(1996)
Common boundaries between the physical reality and rising digital media technologies are fading. The age of hyper-reality becomes an age of hyper-aesthetics. Immersive media as well as image technologies – like virtual reality – enable a completely novel form of interaction and corporeal relation to and with the virtual image structures. Virtual Images contributes to the wide range of the hyper-aesthetic image discourse to connect the concept of dynamic virtual images with the approaches in modern media theory, philosophy, perceptual theory, aesthetics, computer graphics, art history and techno-art as well as the complex range of image science. Shared goal is a critical discussion of the specific epistemology of aesthetic and scientific approaches to VR.
This volume discusses the relation of images and technological evolution in the context of virtual reality within the perspective of an autonomous image science.
Von Technik und Ästhetik zu sprechen, heißt, sich bereits begrifflich auf ein Feld einzulassen, das mindestens zwei divergente Perspektiven gemeinsam denkt. Dabei haben das Technische wie das Ästhetische die Bedeutung einer Interdependenz aufzuweisen: Das Technische konstituiert einerseits Funktionen, Formen und Gebrauchsaspekte - ästhetische Zustände evozieren andererseits zeichenhafte Realisierungen, phantasmatische Urteile und wahrnehmungsvermittelte Phänomene des Erscheinens. Die Beiträger*innen des Bandes zeigen, wie bei der Konfrontation von Technik und Ästhetik eine Art Verkopplung und intrinsische Dynamik qua techno-ästhetischer Evokation entstehen kann.