@book{HesselbarthKraus2016,
  author    = {Hesselbarth, Cordula and Kraus, Alexander},
  title     = {»Von Sammlungen und ihren Sammlern« - Ein Beitrag zur Kulturgeschichte naturwissenschaftlicher Forschung in Westfalen},
  edition   = {1. Auflage},
  publisher = {LWL-Museum f{\"u}r Naturkunde},
  address   = {M{\"u}nster},
  isbn      = {978-3-940726-38-4},
  pages     = {88 Seiten},
  year      = {2016},
  language  = {de}
}
@book{Hesselbarth2016,
  author    = {Hesselbarth, Cordula},
  title     = {»Kontinuum« Ausstellungshalle am Hawerkamp},
  volume    = {Band I},
  edition   = {1. Auflage},
  address   = {M{\"u}nster},
  isbn      = {978-3-00-051966-6},
  pages     = {112 Seiten},
  year      = {2016},
  language  = {de}
}
@book{Hesselbarth2016,
  author    = {Hesselbarth, Cordula},
  title     = {»Pflanzenblicke« - Ein visueller Dialog},
  volume    = {Band II},
  edition   = {1. Auflage},
  address   = {M{\"u}nster},
  isbn      = {978-3-00-051966-6},
  pages     = {60 Seiten},
  year      = {2016},
  language  = {de}
}
@book{Hesselbarth2016,
  author    = {Hesselbarth, Cordula},
  title     = {»An-a-tomie« - Einsichten in den K{\"o}rper},
  volume    = {Band III},
  edition   = {1. Auflage},
  address   = {M{\"u}nster},
  isbn      = {978-3-00-051966-6},
  pages     = {80 Seiten},
  year      = {2016},
  language  = {de}
}
@book{Hesselbarth2016,
  author    = {Hesselbarth, Cordula},
  title     = {»Bioinspiration« - Arbeiten auf Papier},
  volume    = {Band IV},
  edition   = {1. Auflage},
  address   = {M{\"u}nster},
  isbn      = {978-3-00-051966-6},
  pages     = {44 Seiten},
  year      = {2016},
  language  = {de}
}
@book{GrosseSczyszka2016,
  author    = {Grosse, Gisela and Sczyszka, Michael},
  title     = {Malen nach Zahlen},
  edition   = {100},
  publisher = {Verlag der Fachhochschule},
  address   = {M{\"u}nster},
  isbn      = {978-3-938137-82-6},
  pages     = {136},
  year      = {2016},
  language  = {de}
}
@book{GrosseRipperdaVoelzkow2016,
  author    = {Grosse, Gisela and Ripperda, Katharina and Voelzkow, Alena},
  title     = {Visuell Berichten - eine Studie zum Potenzial der Gestaltung in Gesch{\"a}ftsberichten},
  edition   = {2000},
  publisher = {Springer Gabler},
  address   = {Wiesbaden},
  isbn      = {978-3-658-14137-0},
  doi       = {10.1007/978-3-658-14138-7},
  pages     = {92},
  year      = {2016},
  language  = {de}
}
@book{GrosseKolmVoelzkow2016,
  author    = {Grosse, Gisela and Kolm, Dominik and Voelzkow, Alena},
  title     = {Die Vorwortstudie 2016},
  publisher = {CCI},
  address   = {M{\"u}nster},
  year      = {2016},
  language  = {de}
}
@incollection{Grosse2016,
  author    = {Grosse, Gisela},
  title     = {Reporting Developments and Trends: Die visuelle Bilanz},
  series = {Center for Corporate Reporting: Reporting Developments and Trends},
  booktitle = {Center for Corporate Reporting: Reporting Developments and Trends},
  publisher = {CCR},
  address   = {Z{\"u}rich},
  pages     = {38 -- 41},
  year      = {2016},
  language  = {en}
}
@article{Grosse2016,
  author    = {Grosse, Gisela},
  title     = {Visuell Berichten},
  series = {The Reporting Times},
  volume    = {No 9},
  journal   = {The Reporting Times},
  number    = {N09/2016},
  pages     = {28},
  year      = {2016},
  language  = {mul}
}
@book{Grosse2016,
  author    = {Grosse, Gisela},
  title     = {Die visuelle Bilanz 2016},
  publisher = {CCI},
  address   = {M{\"u}nster},
  year      = {2016},
  language  = {de}
}
@article{Grosse2016,
  author    = {Grosse, Gisela},
  title     = {CCI Facts \& Figures, CCI Forschung},
  series = {CCI News 21},
  volume    = {Jahrgang 11},
  journal   = {CCI News 21},
  number    = {21},
  pages     = {1 -- 9, 18-24},
  year      = {2016},
  language  = {mul}
}
@book{OPUS4-14941,
  title     = {IMAGE EMBODIMENT. New Perspectives of the Sensory Turn},
  editor    = {Grabbe, Lars and Schmitz, Norbert M. and Rupert-Kruse, Patrick},
  publisher = {B{\"u}chner-Verlag},
  address   = {Marburg},
  isbn      = {978-3-941310-77-3},
  publisher      = {FH M{\"u}nster - University of Applied Sciences},
  pages     = {240},
  year      = {2016},
  abstract  = {In the new media environment, how are bodies and images related? How can, in other words, the human body be integrated with and reformulated in relation to the sensory and perceptual dimension? In response to this question, Image Embodiment looks not just to images and surface appearences but addresses at a deeper level the media that act as the supports for aesthetics. To think about visual culture in the twenty-first century necessarily implies the thinking of the specific role of media technologies. A view to media not only teases out the technical infrastructure of images but brings with it the potential for addressing the different sense modalities and realities of the human body. Recent theories of the sensory turn are effectively highlighting innovative approaches for an autonomous image science and media theory in general. Image Embodiment provides one part of the discourse to synchronize the concepts of image and body, which is then able to connect the perspectives of philosophy of mind, perceptual theory and media as well as image science. This volume monitors and discusses the relation of media and the human body and refers to images, embodiment and the sensory turn within the perspective of an autonomous image science.},
  language  = {en}
}
@book{OPUS4-14942,
  title     = {BILDK{\"O}RPER. Zum Verh{\"a}ltnis von Bildtechnologien und Embodiment},
  editor    = {Grabbe, Lars and Schmitz, Norbert M. and Rupert-Kruse, Patrick},
  publisher = {B{\"u}chner-Verlag},
  address   = {Marburg},
  isbn      = {978-3-941310-71-1},
  publisher      = {FH M{\"u}nster - University of Applied Sciences},
  pages     = {214},
  year      = {2016},
  abstract  = {Im internationalen philosophischen und kognitionspsychologischen Diskurs erleben {\"U}berlegungen zum Embodiment momentan einen nie dagewesenen Aufschwung. Daher verwundert es nicht, dass auch im Kontext aktueller Entwicklungen der digitalen und immersiven Medientechnologien die Rolle des Leibes sowohl im theoretischen als auch im anwendungsorientierten Bereich mit neuer Verve betont wird. Auf diese Entwicklung Bezug nehmend, stellt der vorliegende Band die Interaktion zwischen dem Medialen und den somatischen, neuronalen und mentalen - also verk{\"o}rperten - Prozessen, die bei der Rezeption von Medieninhalten aktiv sind, in den Fokus. Denn erst die Analyse des Verh{\"a}ltnisses von Bildtechnologien und Embodiment erlaubt es, die Erlebnisdimensionen und Sinnhorizonte audiovisueller Artefakte von ihrer leiblichen Basis her n{\"a}her zu beschreiben.},
  language  = {de}
}